The development of Taiwanese Chinese music scene

The development of Taiwanese Chinese music scene In the Taiwanese music scene from the 1950s to the 1960s, singers generally sang songs from the old Shanghai era. In the beginning of the 1960s, performing styles were all the rage. Zhang Qi, Xie Lei, Kong Lanxun, Qing Shan, Wu Jingxian, Mei Dai, Zhao Xiaojun, Yao Surong, Ziwei, Yu Tian, ​​Chen Lanli, Yang Xiaoping, You Ya, Chen Yingjie, and Yang Yan were all Taiwanese singers of this era. Teresa Teng participated in the Stars Gala for the first time when she debuted at the age of 15 because she sang the theme song of the TTV Jingjing series and became the youngest guest on the show. The influence of the All-Star Club has spread throughout Southeast Asia and has become the common memory of this generation. With the popularity of television in Greater China and other places, the pop music industry has also gained new growth through it. Following movies, TV dramas have formed a mutually supportive relationship with Chinese pop music, including Chinese pop music. The media of popular music also added the new media of TV after the radio station. The popularity of tape recorders (recorders) and magnetic tapes (cassette tapes) made phonographs and records gradually withdraw from the stage of history. The pop music industry has also entered a new stage. Among Taiwanese female singers, pop queens Teresa Teng, Feng Feifei, Huang Yingying, and Su Rui are the outstanding ones. Teresa Teng's music style is connected with Shanghai era music and inspired Taiwanese pop music. She is not only a superstar of Chinese pop music, but also plays an important role in the development history of Japanese pop music and Taiwanese pop music. At home and abroad, she is an iconic figure who brings western music style into Chinese pop music; Huang Yingying focuses on record production and interpretation, and with her unique taste and vocals, she constantly cooperates with new talents to renovate the music style. The creators of record hits have also attracted the attention of the music world, injecting new blood into Chinese pop music; Special Contribution Award. In the 1970s, under the influence of European and American songs, out of love for music and to fill the gap in local creation, a group of extremely innovative songwriters emerged in the music scene, the most famous of which are Zhuang Nu and Zuo Hongyuan. The works they collaborated on had breakthroughs in both traditional Taiwanese ballads and old Shanghai genres, and thus attracted the attention of the music industry at that time. The start of local creation has also led to the development of a group of singers, You Ya, Ye Mingde, Chen Fenfen, Gao Lingfeng and others were all famous singers back then. And Liu Jiachang who emerged at that time was even more loved by fans. "The River of Clouds", "The West Tower with the Moon Full" and "Thousands of Miles on the Road of Love" were all masterpieces deeply rooted in the hearts of the people at that time. Among them, Liu Jiachang's creative team is the leading one. Liu has cultivated or introduced many Taiwanese Chinese pop stars in the 1970s and 1980s, such as You Ya, Teresa Teng, Fei Yuqing, Zhen Ni, Liu Wenzheng, Feng Feifei, Huang Yingying, etc. The godfather of the Chinese music scene in the 1970s. At the same time, singers such as Li Maoshan and Lin Shurong began to rise. The Taiwanese music scene in the 1980s was an era of metabolism. A large number of outstanding musicians and singers emerged, including Luo Dayou, Qi Qin, Wang Jie, Zhou Huajian, Li Zongsheng, Zhuo Yiting and so on. By 1987, Fei Xiang became popular in mainland China by singing classic Taiwanese pop songs. In the same year, Qi Qin's "About Winter" and "The Outside World" also became popular on both sides of the Taiwan Strait. And Wang Jie, who made his debut with "One Game, One Dream" at the end of the 1980s, bridged the gap between superstars after that. In the 1990s, the Taiwanese music scene was dominated by Mandarin songs, among which Wang Jie, Qi Qin, Harlem Yu, Little Tigers, Jimmy Lin, Zhang Yu, and Ren Xianqi were all the rage in the Chinese area. Zhuo Yiting (spanning the 1980s and 1990s) is popular in Southeast Asia and mainland China. The new century has become a world of creative talents. Jay Chou, Wang Leehom, Tao Zhe, and the "Three Great Music Talents" created a new style of music in the form of a combination of Chinese and Western, injecting new elements into the music scene, leading the entire Chinese music scene. Among them, Jay Chou and Leehom Wang, even promoted Chinese pop music to Europe and the United States, and were commended internationally. 2000-2010 was a glorious 10 years for Taiwanese pop music. Other Taiwanese singers include Jay Chou, Jolin Tsai, Leehom Wang, Tao Zhe, Elva Hsiao, Angela Chang, Wang Xinling, Wilber Pan, Rainie Yang, Luo Zhixiang and other emerging kings and queens; orchestras and groups include Mayday, SHE , FIR, Sodagreen, etc., have achieved great success in terms of awards and sales; Malaysian and Singaporean singers who came to Taiwan to debut and develop, Cai Tanya, Liang Jingru, Dai Peini, Sun Yanzi, and Lin Junjie have also become influential kings and queens in the Chinese music scene. This was a period of vigorous development of Taiwanese music, and its influence spread throughout the Greater China region. R, Soda Green, etc. have achieved great success in terms of awards and sales; Malaysian and Singaporean singers who came to Taiwan to debut and develop, Cai Tanya, Liang Jingru, Dai Peini, Sun Yanzi, and Lin Junjie have also become influential kings and queens in the Chinese music scene. This was a period of vigorous development of Taiwanese music, and its influence spread throughout the Greater China region. R, Soda Green, etc. have achieved great success in terms of awards and sales; Malaysian and Singaporean singers who came to Taiwan to debut and develop, Cai Tanya, Liang Jingru, Dai Peini, Sun Yanzi, and Lin Junjie have also become influential kings and queens in the Chinese music scene. This was a period of vigorous development of Taiwanese music, and its influence spread throughout the Greater China region. R, Soda Green, etc. have achieved great success in terms of awards and sales; Malaysian and Singaporean singers who came to Taiwan to debut and develop, Cai Tanya, Liang Jingru, Dai Peini, Sun Yanzi, and Lin Junjie have also become influential kings and queens in the Chinese music scene. This was a period of vigorous development of Taiwanese music, and its influence spread throughout the Greater China region. R, Soda Green, etc. have achieved great success in terms of awards and sales; Malaysian and Singaporean singers who came to Taiwan to debut and develop, Cai Tanya, Liang Jingru, Dai Peini, Sun Yanzi, and Lin Junjie have also become influential kings and queens in the Chinese music scene. This was a period of vigorous development of Taiwanese music, and its influence spread throughout the Greater China region. R, Soda Green, etc. have achieved great success in terms of awards and sales; Malaysian and Singaporean singers who came to Taiwan to debut and develop, Cai Tanya, Liang Jingru, Dai Peini, Sun Yanzi, and Lin Junjie have also become influential kings and queens in the Chinese music scene. This was a period of vigorous development of Taiwanese music, and its influence spread throughout the Greater China region. R, Soda Green, etc. have achieved great success in terms of awards and sales; Malaysian and Singaporean singers who came to Taiwan to debut and develop, Cai Tanya, Liang Jingru, Dai Peini, Sun Yanzi, and Lin Junjie have also become influential kings and queens in the Chinese music scene. This was a period of vigorous development of Taiwanese music, and its influence spread throughout the Greater China region.