新劍郎Xin Jianlang

新劍郎SUN（1950年？）原名巫雨田，是粵劇界名伶，亦是八和會館的副主席，行內人稱他為田哥。新劍郎在中學畢業後就便入戲行唱粵劇，至今已五十多年。由2001年起，他由文武生兼任編劇及製作，上年他更獲頒發「藝術家年獎」(戲曲) ，以表揚他一直以來對粵劇的貢獻。 新劍郎是其師父替他取的藝名。小學時國文老師要他讀《紅樓夢》，奠定文學基礎。小學五年級時，常常跟父母到戲棚看大戲，受到父母影響從小已愛上粵劇，更因此開始學做大戲。新劍郎由低做起，短短三年已有機會踏台板。 當時他被介紹向吳公俠老師習藝，之後又曾追隨許君漢學習北派，不斷增值自己全因他對粵劇很有熱誠。到了80年代，新劍郎有感香港演出的機會不多，便銳意到星馬闖一闖。而新劍郎回港是受梁漢威邀請出演新派粵劇《戊戌政變》光緒一角。曾參與多個劇團的新劍郎舞台經驗豐富，他曾接受訪問時提到，「粵劇劇本中最喜歡是唐滌生1958年的《白兔會》，因為劇本寫得實在很好。 2001年起，他由文武生兼任編劇及製作，初次編寫粵劇劇本《荷池影美》，2002年自組新輝煌劇團，2003年製作新編粵劇《蝴蝶夫人》，之後寫了30個劇本，新劍郎自己喜歡的是《情夢蘇緹》。近二十年來，他不斷到各大學院推廣粵劇，又曾為第一屆「香港粵劇金紫荊獎」做評審。新劍郎亦擔任多項與粵劇相關的公職，為粵劇界出力，如香港藝術發展局戲曲小組藝術顧問，粵劇發展基金執行委員會委員等，並應汪明荃邀請擔任八和理事會副主席一職。 简体： 新剑郎Xin Jianlang（1950年？）原名巫雨田，是粤剧界名伶，亦是八和会馆的副主席，行内人称他为田哥。新剑郎在中学毕业后就便入戏行唱粤剧，至今已五十多年。由2001年起，他由文武生兼任编剧及制作，上年他更获颁发「艺术家年奖」(戏曲) ，以表扬他一直以来对粤剧的贡献。 新剑郎是其师父替他取的艺名。小学时国文老师要他读《红楼梦》，奠定文学基础。小学五年级时，常常跟父母到戏棚看大戏，受到父母影响从小已爱上粤剧，更因此开始学做大戏。新剑郎由低做起，短短三年已有机会踏台板。 当时他被介绍向吴公侠老师习艺，之后又曾追随许君汉学习北派，不断增值自己全因他对粤剧很有热诚。到了80年代，新剑郎有感香港演出的机会不多，便锐意到星马闯一闯。而新剑郎回港是受梁汉威邀请出演新派粤剧《戊戌政变》光绪一角。曾参与多个剧团的新剑郎舞台经验丰富，他曾接受访问时提到，「粤剧剧本中最喜欢是唐涤生1958年的《白兔会》，因为剧本写得实在很好。 2001年起，他由文武生兼任编剧及制作，初次编写粤剧剧本《荷池影美》，2002年自组新辉煌剧团，2003年制作新编粤剧《蝴蝶夫人》，之后写了30个剧本，新剑郎自己喜欢的是《情梦苏缇》。近二十年来，他不断到各大学院推广粤剧，又曾为第一届「香港粤剧金紫荆奖」做评审。新剑郎亦担任多项与粤剧相关的公职，为粤剧界出力，如香港艺术发展局戏曲小组艺术顾问，粤剧发展基金执行委员会委员等，并应汪明荃邀请担任八和理事会副主席一职。 Xin Jianlang (1950?), whose original name is Wu Yutian, is a famous actor in the Cantonese opera industry and the vice chairman of the Bahe Association. People in the industry call him Brother Tian. Xin Jianlang started singing Cantonese opera after graduating from middle school, and has been doing it for more than 50 years. Since 2001, he has been writing and producing as a scriptwriter and producer. Last year, he was awarded the "Artist of the Year Award" (Traditional Opera) in recognition of his long-standing contribution to Cantonese opera. Xinjianlang is the stage name given to him by his master. When he was in primary school, his Chinese teacher asked him to read "Dream of Red Mansions" to lay a literary foundation. When he was in the fifth grade of primary school, he often went to the theater to watch operas with his parents. Under the influence of his parents, he fell in love with Cantonese opera since he was a child, and therefore he started learning to do operas. The Xin Jianlang started from humble beginnings, and in just three years he has had the opportunity to step onto the stage. At that time, he was introduced to the teacher Wu Gongxia, and later he studied the Northern Style with Xu Junhan. His continuous appreciation was all because of his passion for Cantonese opera. In the 1980s, Xin Jianlang felt that there were not many opportunities to perform in Hong Kong, so he decided to try his luck in Singapore and Malaysia. When Xin Jianlang returned to Hong Kong, he was invited by Leung Han-wai to star in the new Cantonese opera "The Hundred Days Coup" Guangxu. Xin Jianlang, who has participated in many theater companies, has rich stage experience. He once mentioned in an interview, "My favorite Cantonese opera script is "The White Rabbit Meeting" by Tang Disheng in 1958, because the script is really well written. Since 2001, He is a part-time screenwriter and producer of Wenwusheng. He first wrote the Cantonese opera script "The Beauty of the Lotus Pond". In 2002, he formed his own New Brilliance Theater Company. In 2003, he produced a new Cantonese opera "Madame Butterfly". After that, he wrote 30 scripts. Xin Jianlang's favorite is "Love Dream Su Ti". In the past twenty years, he has been promoting Cantonese opera in major colleges and universities, and was a judge for the first "Hong Kong Cantonese Opera Golden Bauhinia Award". Xin Jianlang also holds a number of public offices related to Cantonese opera and contributes to the Cantonese opera industry, such as artistic consultant of the Xiqu Group of the Hong Kong Arts Development Council, member of the Executive Committee of the Cantonese Opera Development Fund, etc., and was invited by Wang Mingquan to serve as the vice chairman of the Bahe Council.